About me
I am an organist, arranger
and sound designer behind
the project JP-Synphonic.
For many years, I have been
developing orchestral sound
worlds for the electronic organ
— inspired by film music,
symphonic rock and classical
music.
My arrangements combine the
expressive power of an
orchestra with the versatility of
modern instruments and are
designed both for concert
performance and for
demanding players.
At the center of my work is
always musical freedom:
not rigid specifications, but
space for personal interpretation
and individual expression.
These musicians have not
only inspired me — they have
shaped my musical path and
influenced the way I think
about sound, arrangement and
interpretation.
Meeting Peter Baartmans
remains a very special memory
for me to this day — both
musically and personally.
Since 1997, I have also
maintained personal contact
with Hector Olivera, from
whom I received many musical
impulses and inspirations.
I also associate special
memories with Mark Whale:
he performed at our wedding
— and a shared day at my
favorite Italian restaurant
remains unforgettable.
The music of Rick van der
Linden and Rick Wakeman
accompanied my artistic
development for many years
and strongly influenced my
connection between classical
music, rock and symphonic
thinking.
JP-Synphonic Concept
My arrangements are
consistently created from
practical experience for the
organ.
The sheet music is laid out in
landscape format and provided
with chord symbols in order to
ensure maximum clarity and
flexibility.
I deliberately avoid repetition
signs wherever possible:
each piece is structured so that
it can be played continuously
from the first to the last bar.
This creates a natural musical
flow — ideal for stage
performance, concerts and
demanding players.
JP-Synphonic represents an
independent musical language:
¶orchestral thinking on the organ
¶symphonic arrangements
¶a connection between rock,
classical music and film music
¶a clear focus on concert
performance and Interpretation
My goal is not to copy existing
styles, but to develop a
distinctive musical identity
with its own recognizable
sound.
One’s own path is not created
through comparison — but
through encounters,
experiences and the music that
has shaped us.